Science fiction, sometimes known as sci-fi or SF, is a genre of literature that focuses on the influence of real or fictional science on society or individuals. Speaking of which, the men of Science Fiction is a photography book that was developed as an homage to the male performers that Dennys Ilic, photographer, grew up loving and been influenced by in a variety of film and television portrayals.
Many of these actors and role models are from some of the most well-known TV series and films of all time and would become good friends with Dennys later on in life. These stars also motivated Dennys to pursue his dream of becoming a photographer. It became his ambition to build something beautiful that would have the same effect on the audience. Something that both science fiction and photography fans would love.
One of the genre’s most ardent supporters, American publisher Hugo Gernsback, popularized, if not coined, the phrase science fiction in the 1920s. He is the recipient of the Hugo Awards, which have been presented annually by the World Science Fiction Society since 1953. These honors are presented to the best science fiction and fantasy writers, editors, artists, filmmakers, and fanzines.
Coming to talking about the history of science fiction, it grew in popularity during the twentieth century, as the profound integration of science and innovations into everyday life sparked a renewed interest in writing that examines the link between technology, society, and the person. The history of science fiction, according to scholar Robert Scholes, is “the history of humanity’s shifting attitudes toward space and time… the history of our expanding awareness of the cosmos and our species’ place in it.”  In recent decades, the genre has evolved and established itself as a significant impact on world culture and ideas.
Science fiction authors frequently seek out new scientific and technological advances in order to freely predict the techno-social shifts that would shock and broaden the readers’ sense of cultural appropriateness. H.G. Wells, the genre’s originator, and most likely best writer used this method in his writings. Wells’ creative career demonstrates the underlying radicalism of science fiction, as well as its fondness for harsh satire and utopian political objectives, as well as its apocalyptic prophecies of technological devastation.
The expansion of cyberpunk to various sectors of the marketplace of ideas has marked contemporary science fiction. Cyberpunk is no longer a marginalized subgenre of science fiction, but rather an important component of the field whose interconnections with other subgenres became the major topic of science fiction around the turn of the century. Environmental concerns, the ramifications of the worldwide Internet and the increasing information universe, worries about biotechnology and nanotechnology, and a post-Cold War interest in post-scarcity societies were all emerging topics in the 1990s.
Science fiction has evolved into much more than a literary genre by the twenty-first century. Its ardent supporters and practitioners formed a vibrant global subculture. Books, movies, television programs, computer games, periodicals, paintings, comics, and, increasingly, collectible figurines, Web sites, DVDs, and toy weapons were among the many SF-related items and hobbies enjoyed by fans. They conducted well-attended, well-organized conferences where costumes were donned, handicrafts were sold, and folk songs were sung on a regular basis.
Coming to discussing men in science fiction, it’s fascinating to see that the majority of the admirers are guys. Mostly, not exclusively. Women appear to be less prone to Sci-Fi fanaticism. Why? Science fiction has an obsessive and conservative grasp on the public imagination.
When talking about the male portrayal in these movies, many science fiction male heroes mirror a single heroic paradigm, frequently having scientific occupations or hobbies and being “cool, logical, competent,” “remarkably sexless,” interchangeable, and boring.
Many critics argue that science fiction fetishizes masculinity and that the use of technology in science fiction is a metaphor for imagined future masculinity. “Hypermasculine cyborgs and console-cowboys” are two examples. These technologies are attractive because they confirm the readers’ masculinity while also protecting them from feminization. In science fiction, the fetishization of masculinity through technology differs from conventional fetishization in other genres, in which the fetishized object is invariably feminine.
The popular science fiction series imagines a parallel world that may be understood as a system. There might be a variety of various stories told there, as well as all kinds of crazy fantasies, but they must be explained without jeopardizing the system’s general coherence. The attractiveness of the science fiction system to the average fan, however, is not in its orderliness, but in its finiteness. The science-fiction universe, like any sacred literature, maybe fully comprehended.
Science fiction has shown a strong commitment to space flight as high technology. Even though it is three decades old and in its final years of service, the space shuttle remains exquisite for the most part. Despite the fact that many of the technologies initially imagined in science fiction have become reality—and are now commonplace in popular fiction—scientific knowledge is expanding quickly, giving plenty of space for conjecture about its future influence on society and people. It’s difficult to envision any modern culture being completely immune to science fiction’s prognosticating allure.
Geekdom is drawn to science fiction because it obliterates any traces of the adult world. It’s a parallel universe that takes place exclusively inside the realm of infancy. There are also laser weapons and spaceships. And, unfortunately, that may be enough to keep a lot of guys satisfied for a long time.
Talking of fiction, also read Icons of the fictional world